PUNX for percussion ensemble

I wrote a new piece for percussion ensemble called PUNX.

I was a punk rock kid in my younger years. I played in a few bands, wrote tons of songs, and developed the ability to play really fast drum set. The punk scene taught me to be a self thinker, to question things, and that it was OK to be different. I had fun in the scene, and it definitely influenced my attitude and musical journey.

The piece pays homage to the music of my youth and is sort of a punk rock anthem for percussion ensemble. I thought it would be nice to revisit the sounds of my younger years; something rebellious, quirky and fun.

PUNX was commissioned by Broken Arrow HS Percussion Ensemble for their 2016 Midwest Clinic performance. It’s scored for 6-7 players; two marimbas, two glockenspiels, vibraphone, and two percussion parts. The percussion parts can be adapted for one drum set player if desired. Sheet music is now available.

PASIC Preview 2016 and other cool stuff too.

Hello, percussion friends. I hope life is great for you. Halloween was fun here in Austin. My parents dressed up like the Flintstones:

Who is going to PASIC this year? I will be there. I hope you will be there too! If you go, check out some of these things:

2300 DEGREES. I composed a new marimba duo. It’s called 2300 Degrees. It’s the most challenging marimba duo I’ve ever written, and was commissioned by Annie Stevens and Andrea Venet of Escape Ten percussion duo. It’s seriously hard. You have to do stuff like this while playing the right notes and rhythms.

Escape Ten will perform the piece at PASIC as part of their showcase concert on Thursday, November 10th at 2pm. Annie and Andrea are really talented musicians and sweet souls. I think you will enjoy their show. Here’s a video preview via the inter webs:

Sheet music for 2300 Degrees will be available at PASIC at the Steve Weiss and Lone Star Percussion booths. If you can’t make PASIC but still want to pick up the music, you can purchase a PDF here. I will personally email the piece to you on or before Wednesday, November 9th, before my flight to PASIC 🙂

Music will also be available for some of my previously unreleased pieces, like:

SPUR for solo snare drum + audio track. 

I wrote Spur with Jacques Delécluse in mind. His snare drum etudes are some of my favorite pieces ever written. They are so thoughtful and nuanced. I wanted to compose a piece through a similar lens. The piece was commissioned by a consortium led by Korry Friend, who plays the piece beautifully: 

Pick up a copy of Spur at PASIC, or purchase a PDF here.

THIS IS LIKE JAZZ! is a duo for contrabass flute and marimba (with spoken word by the marimba player). I composed the piece for Terry Longshore and Tessa Brinckman of Caballito Negro. The piece is storytelling set to music, detailing my experience working with young musicians in Turkmenistan, who improvised music for the first time in their lives. The end of the piece details my favorite memory from the trip. After a masterclass on improv, a teenage cellist raised his hand, and in broken english, said one word: “Improvisation”… They wanted to try it again: 

Pick up sheet music at PASIC, or purchase a PDF here.

Judging PASIC Chamber Percussion Ensemble Competition. I am a judge this year. I am very intimidating. No mess ups… I’m just kidding! Have fun up there. But, try for no mess ups.

And now, for some non-PASIC stuff…

I’m thinking about releasing a t-shirt.

Weird, or not weird? Some of the proceeds would go to a local music program supporting underserved youth in Austin. Not weird then, right? Plus, it’s designed by my good friend and artist, Mike Turzanski. Weird again! (in a completely good way). If you are interested in a t-shirt, send me a message so I can put you on “the list”.

This happened!

IN CONCLUSION. Let me know if you have programmed some of my music this semester. It’s nice to keep track of these things, and honestly, nice to hear from you. See you at PASIC!

With Love,


2300 Degrees preview

Annie Stevens and Andrea Venet from Escape Ten percussion duo are incredible. I feel so fortunate that they are playing my new marimba duo, 2300 Degrees, at their PASIC 2016 showcase concert. The concert is on Thursday, November 10th at 2pm in room 120. Sheet music for 2300 Degrees will be available at PASIC (and on my website) in November. Here’s a video preview of the piece:

See you at PASIC!



I wrote a children’s book and set it to music. It’s called Space Junk. Above is a teaser video with some art + music. My friend and artist Mike Turzanski is illustrating the book and Lagan Percussion from Baylor University will be premiering the piece during the 2016-2017 season. The piece is scored for narrator + percussion quartet (w synths). I am really excited to see this project come to life; it’s going to be a rad one I think.


Searched for Drugs, Riding a Bike, and more Summer 2016

Summer has been wonderful. Traveling, teaching, writing. My wife and I are building a home; I feel lucky. Not everything has been smooth though, and one incident in particular bummed me out.

My last name is pronounced Tre-vee-NYO. Yes, like with an Ñ. I’m Mexican-American. I get my name from my dad, but the Mexican comes from my mom. She was born and raised in Mexico, in a small border town called Reynosa. She had a tough life growing up and her family had little money. She didn’t get to go to college, so me going was extra special. As a young teenager, she got a job at a souvenir shop to help her family, and to buy books. She’s the smartest person in our family, and it’s not even close. She’s now a US citizen and is proud of it, and I’m proud of her.

She taught me something when I was younger, about the police. She said, “If you ever get pulled over, put both hands on the steering wheel so the cops can see you.” In other words: “Make sure they know you don’t have a gun. Make sure they know you are not a threat.” I was telling this to some of my white friends, who never recalled such conversations with their mothers…

Anyway, a couple of weeks ago, I was pulled over while driving in New Jersey, for a “sudden turn”. Two officers approached my car, one on each side shining flashlights into the car. I had both hands on the wheel, just like my mom taught me.

They didn’t believe my story, that I was a musician traveling from NY to a music studio in NJ, that I had flown in days earlier for a gig in Corning, NY, and that my rental car was rented using my band’s company credit card. I even presented them with the rental car paperwork.

They kept pressing me, with ridiculous statements like:

“You’re going to a music studio in Montague, NJ? Seems weird to us.”

“Do you even make money doing this music thing?”

“Your story is just not adding up.”

After much discussion, they asked me to get out of the car, and then asked to search my car for drugs. I said, “Go for it.”

They searched the car up and down, removing seats, searching the glove box… Of course they found nothing. I stayed cool, but damn I was worried. Not because I did something wrong, but because something wrong could happen to me.

30 minutes later, I’m still on the side of the road. My hands down by my side, my heart rate up, and I’m thinking about my mom and what she would tell me. “No sudden movements, no looking at your cell phone…No talking back.” Kind of sad, isn’t it?

They asked me where my car was rented. Since I didn’t rent it, I was honest. “I’m not sure, maybe Newark airport? Again, my bandmate rented it.” The officer quipped back. “It was rented in Pennsylvania!” A big voila moment for him.

I quipped back. “I didn’t rent the car, so I wouldn’t know. But my band’s studio is minutes away from Pennsylvania, so that makes sense to me.” A big voila moment for me 🙂

Still more waiting…

Finally, they realize that I’m not a threat, that I’m not smuggling drugs from Mexico, that I’m just a musician with brown skin trying to get to where I need to go.

They let me go with no ticket and this explanation: “You took a sudden turn, and then your story wasn’t adding up. That’s why we stopped and searched you.” I simply said, “OK”, got in my car and drove away, both hands on the steering wheel.


If being searched for drugs was the worst thing that happened to me this summer, Chosen Vale was the best thing! Doug Perkins and Amy Garapic are king and queen of summer camps (sorry, seminars). They know how to do it. The atmosphere, the good vibes, the sense of community. It really is a Shared Space at Chosen Vale. See what I did there?! It was beautiful. I highly recommend it to anyone looking for summer enrichment. I was enriched. And I LEARNED TO RIDE A BIKE! You read that right! Here are some photos, and a hilarious video:

Speaking of good vibes, a big thank you to my pals Aaron and Sarah Staebell for hosting us at their beautiful cabin in Rainbow Lake, NY. Love you guys.

CYMBALS. STEVE GADD PHOTOS. AMAZING. I was a guest at the Zildjian factory. I played cymbals all day and hand picked some Kerope and Avedis crashes and ride. But by far, the coolest thing was meeting Leon Chiappini, head cymbal tester. Leon has been working at Zildjian since 1961 and has played and tested over 9 MILLION cymbals. He was gracious in sharing his time and insights with me, and some funny stories too. No photo with Leon, so google him and his story. He’s great. 

I’ve been writing a lot this summer. Here are some things I’ve been working on:

Space Junk for percussion quartet + narrator. I wrote a children’s story, and set it to music. My buddy Mike Turzanski is illustrating the book. It’s a thing now, as he has started drawing. See below ❤  This piece is commissioned by Lagan Percussion out of Waco, TX.

Making moves

A post shared by Mike Turzanski (@dipdripper) on

Float Like a Butterfly
for solo marimba. This one was written in memory of Muhammad Ali, who demonstrated such amazing social activism during the 60’s and 70’s. One of my favorite athletes and social figures, ever. This piece is commissioned by Mark Boseman for his new marimba technique book, which will be available at PASIC 2016.

The Bird That’s Flown Into My Room. for cello and percussion quartet. I wrote this for my friend Meta Weiss of Queensland Conservatorium. She is good at the cello!

Untitled saxophone solo. I used to be a sax player. Excited about this one.

Texas PML: some of my solos and ensemble pieces were added to the TX Prescribed Music List! Really grateful for that.

I also arranged some of my music for an upcoming documentary called New Chefs on the Block. I’m a foodie and am excited about this documentary. It should be out by the end of the year or early next year.

I’ve got a few more commissions coming up, and then I’m taking a break from commissions to focus on my own things.

Me and my wife are building a home, and it’s almost done! We move in in less than a month.

Music Room!
Music Room!

Happy summer everyone.

With love,